MIGUEL BERNAT - percussion Born in Valencia (Spain) in 1966, Miguel Bernat received his musical education at the conservatories of Valencia, Madrid, Brussels and Rotterdam, and participated in the Aspen Summer Music Course. He was granted the "Premio Extraordinario Fin de Carrera" at the Conservatory of Madrid, the GAUDEAMUS Special Percussion Prize" in 1993 and the 2nd prize at the Aspen Nakamichi Competition (USA). Being an eclectic musician, he has played with the Orquesta Ciutat de Barcelona and with the Royal Concertgebouw Orchestra of Amsterdam, as well as in the contemporary music ensembles "Ictus", "Ictus Piano and Percussion Quartet", Trio Allures", "Duo Contemporain", etc... As soloist in numerous recitals, he premièred the "Concerto pour Marimba et 15 instruments" by David del Puerto at the Ars Musica festival in Brussels and in Valencia ENSEMS Festival, and the Premier of “Campos Magnéticos” of Cesar Camarero in Porto and Madrid. Formerly a professor at the Rotterdam and Brussels Conservatories, he is now intensively engaged in pedagogical activities at the “Escola Superior de Musica de Catalunya” at Barcelona. "Escola Profesionalde Mùsica de Espinho (Portugal) and the "Escola Superior de Mùsica do Porto". There, he founded DRUMMING Grupo de Percussão, who was selected as a Resident Music Group of Porto 2001 Cultural Capital of Europe and gave concerts in Portugal, Spain, France, Belgium, Brasil. He is regularly invited to the most reputed international contemporary music festivals (France, England, Brasil, Venezuela, Australia, USA, Finland, Germany, Spain, Portugal, Italy, Thailand etc...) to perform, among others, as a solo percussionist and to give Master Classes. In 1998 he performed as a soloist in scenic music (Xénakis) during the production "Just Before" by the Belgian choreographer Anne Teresa de KEERSMAEKER.and with the Ballet Gulbenkian of Lisboa the coreography “Psappha” of italian Mauro Bigonzetti. A passionate performer of new music, Miguel BERNAT has worked with numerous composers (many works being dedicated to him), thus contributing to the expansion and constant evolution of the contemporary repertoire for percussion.